A DAY OUT
CINEMATOGRAPHER
STILLS
Tech Specs
ARRI Alexa Mini LF | ARRI Ultra Primes Lens Set – 14mm, 20mm, 28mm, 40mm, 65mm, 100mm | Natural Light, Mirror bounce & Ultra bounce
Visual Style
Naturalistic light, cinematic realism with organic aesthetic
ABIBAS
DIRECTOR OF PHOTOGRAPHY
Official Selection: International Film Festival of Delhi (IFFD)
STILLS
Tech Specs
Sony a7 IV | 24-70 & 35 mm lenses | Nanlite 300, Nanlite 60 & Nanlite 4ft tubes
Visual Style
High-contrast narrative & naturalistic night exteriors
FATAL EDUCATION
DIRECTOR OF PHOTOGRAPHY
STILLS
Tech Specs
Sony a7s III | G Master lenses | Godox SL200 & Godox LC500R
Visual Style
Tight compositions and harsh practical light. Deep shadows keep the space feeling compressed.
HOYE
CINEMATOGRAPHER
STILLS
Tech Specs
Sony a7 IV | 28-75 Tamron lens | Low-key & High-key lighting
Visual Style
Close framing and gentle camera motion
MAKAAN NO. 1309
CINEMATOGRAPHER
STILLS
Tech Specs
Sony FX 30 | G master 16-35mm & Samyang 35mm | Godox SL200 & Nanlite 60B
Visual Style
Controlled interior lighting, mood-driven shadow and tight frame composition
BALDEV SINGH
ADDITIONAL CINEMATOGRAPHER
STILLS
Tech Specs
Sony FX30 | Sigma 18-50mm | Hiffin HF 150w Light & Practical motivated light
Visual Style
High-contrast framing and tight compositions, Low-key light keeps every moment close.
KNOTS & SLACKS
ASSIST CINEMATOGRAPHER
STILLS
Tech Specs
Sony a7s III | 24-70 G Master lens | Godox SL200 & Godox LC500R
Visual Style
Deep contrast , compact framing and cold contrast to build unease fast.
A CITY’S RIM GRIEVING FOR REVOLUTION
ASSIST CINEMATOGRAPHER
STILLS
Tech Specs
Sony a7 IV & Sony a7c | Tamron 28-75mm & Sony 35mm | Natural light
Visual Style
Urban textures, high-contrast night exteriors, deep shadow and grounded framing
About me
Visual storytelling rooted in memory, place and lived experience.
My work shows the quiet authenticity of human emotion, I craft images on grounded stories exploring tension, affection, fear and instinct. My approach is rooted in naturalism and simplicity: motivated camera movement, intentional negative space and contrast that shapes depth.
Formally trained at Mindscreen Film Institute (MFI), Chennai, specialized workshop at Film Television Institute of India (FTII), Pune alongside a B.A. in Filmmaking from KC College, Mumbai, I work across narrative short films, music videos and commercial projects. My work has screened theatrically and was featured at the International Film Festival of Delhi (IFFD).
Fluent in large-format and digital cinema systems including ARRI, RED, and Sony architectures.
Based in Mumbai, Maharashtra, available for cinematography and camera operating.
DIVYANSH RATHORE